Events

The Invite.

The Invite

Conversations_InviteConversations_Invite2

 

 

Event schedule
Event schedule-The Kumbh Mela Experience copy

 

 

 

Confluence
Rivers| Journeys| Merging. An evening of music with Vedanth and Bindu Malini

Confluence An evening of music with Vedanth and Bindu Malini

A musical evening on 26th July - Confluence

 

The center from which it all spins

Mythology|Belief|Transendence. A classical Indian dance performance by Miti Desai.

The Center from which it all spins A Classical Indian dance performance by Miti Desai.

Performance on 25th July-The centre form which it all spins

Rasika  Inspiration|Creation | Reception

The viewer who’s greater than the creator. A presentation by Gangadharan Menon.

GANGA POSTER

 Talk on 27th July- Rasika

The on-site Kumbh Experience

I never thought that Kumbh would ever see me,

As the religion and this number of crowd never distracted me,
I laughed and ignored this 
When I heard about the Mela during my travels in the tropics.
 
But when I returned to India 
 I heard about the Kumbh more than ever,
So I took it as a sign,
To participate in my personal growth,
At last I attended this Kumbh at Haridwar in 2010, 
And wrote this following from the start to the end: 
 
Kumbh fore and after word
 
Kumbh as i had heard 
represents the biggest religious congregation,
where children separate,
new relations with God are made
and this journey includes no laws or rules to break.
 
Kumbh with Naga babas,
& then mixed with those village simpletons,
one can click here the best shot with simple cameras
in this universal kingdom.
 
When you start the journey in a train,
the station to Kumbh draws near – so does the
unstoppable flow of people – its insane,
and everyone fits in the matchbox form of journey
as we all want to shed in the Ganga – our joys & our pain.
 
The slippered soul mock
the barefoot believers,
but here we all came for the same reasons
to celebrate our hunger for religion.
 
The Mela at Kumbh can leave you breathless,
speechless ,
if you go deeper; then the people there
might even touch your soul,
and finding answers in every question 
might seem `Meaningless`.
 
The Kumbh is so well organised,
this came to me as complete surprise,
there were people helping the ones who seemed lost
and they would walk with you to that 
next confusing road with a cross.
 
No gazes staring at me,
no bodies following me,
everyone there was there for their own sake,
Kumbh seemed to be that Peaceful brake.
 
People driven from far by their faith,
were there to find their gurus,
their helpful holy saints.
 
And as far as your eyes could stretch,
there were countless to serve you,
to help you focus on your internal breath.
 
The magic reflected seemed similar in a man & a beast,
and today i became one among these uninvited pilgrims,
i felt the peace in this chaos within,
and i am enjoying this feast.
 
To find faith is like finding roots,
this universe becomes your body
and the holy earth your shoes.
 
The way of nature is to share belief,
the teachings that come from deep within,
touches a child, an old man, and an unknown family,
with eager eyes we all gaze at the flow of the Ganga,
to recieve her blessings equally.
 
The flame deep inside, can`t be lit by our 
educated eyes,
you begin to follow the belief
 which seem like lies,
but when the reason touches your heart and your soul,
the guru, the leader and and the saint can remain unknown.
 
The first calling of the Kumbh you will surely feel,
the helpless judgement might be some educated doubt
from within,
the ritual, the ceremony in any country
 starts with an individualand later attracts the other literates.
 
So experience the energy in its physical form
at the Kumbh,
but until then read these words,
the light and stares on these pages
and dissolve yourself in the journey of these 
        
BAREFOOTED SOULS!!
by MANISHA JAIN

The Reading Experience expressed in WORDS

THE BOOK IN A CONCH SHELL
-Gangadharan Menon

It is said that when you talk, you say what you already know. But when you listen, you may let in something you don’t know. Which is probably the reason why this Book of many Books is subtitled Conversations.

To most people like me, the Kumbh Mela is simply one of the largest gatherings of humanity where nobody is invited. But everyone lands up at the appointed time when the stars and the planets align themselves. What draws them here remains an enigma. It’s for people like me who are interested in knowing more about this mysterious meeting of minds that happens only once in many years that this Book of many Books is put together.

The beauty of this Book is that it is not written. So you are not seeing it from the writer’s viewfinder. It’s an anthology of words, voices and visuals documented diligently and honestly by the observer as he or she travels in a pathless land. That is why it is so beautifully titled Being in it and being of it. Because in the same breath you get the experience of the Insider as well as the Outsider. Leaving the reader to partake of the conversations without any superimposed bias.

To record the enormity of this massive event spread over two months covering a vast area which forms the flood plains of the Ganga as it flows through the city of Allahabad, where thousands of participants are constantly milling about, you needed one head and a thousand hands. And the team at Anugraha had precisely that. They captured the spirit of this Celebration of Life with a commonality of purpose, with each of the thousand hands knowing exactly what the other hand was doing.

The structure of this voluminous project is akin to the classification of a huge library. Firstly, you are lead to the eight volumes that add up to over 55,000 words. Each of them answering a specific question like: Why visit the Kumbh Mela? How did it all begin? What is the Sangam? What is the essence of the Kumbh? What does one do at the Kumbh? etc.

Within each book, there are headings like Place, Time, Astronomy etc. that throw light on the very context of the Kumbh. Then there are sections like Poetry, Insights, Reflections, Interviews, Photo Stories, Character Stories and a very subjective sub-section that is titled Diary Notes which are personal notations of the observer.

The way the Books have been structured is a marvelous design in itself. Apart from the meticulous art direction, layout, photography, typography and the internal design itself, the execution shows finely honed aesthetic sense and sensibility.

The special display font that has been created for this Book is symbolic of all that is there in the Book. It is reminiscent of a tapestry formed by the interweaving of the warp and the weft. Of Being in It and Being of It.
—-
Gangadharan Menon gave up advertising after 28 years to take up his first and second love: teaching and travel. He has been teaching at Rachana Sansad College of Applied Art and doing travel photography and travel writing for the last seven years. Many of his writings have appeared in The Hindu, The Times of India, DNA, Hindustan Times, Mid-day and thebetterindia.com. His first book titled Evergreen Leaves has just been published by Partridge, a joint venture between Penguin and Random House.

A SMALL NOTE FOR A BIG PROJECT
-Mohor Ray

To consider design as an occupation of the present does not do it justice. It is at the very least—a document of existence—mapping the past, present and a possible future. In this manner of thinking, Being in it and Being of it is an artefact that bridges a story across time, of one of the largest living congregations in human history.

India is many countries, times and people at once. The intersections and overlaps present a fascinating view of the ever-changing kaleidoscope to residents and visitors alike. However isolated narratives that put blinders on, to segregate a layer of culture, create products of narrow vision. The Kumbh Mela and its popular depictions are an interesting example of this, wherein repeated, exotic and polarised telling of its continued presence has only sought to drive apart those who have faith in it, and those who do not. Being in it and Being of it is a bridge, deconstructing the event into layers that are free from polarisation. These layers are seen through vantage points, not in disparate parts, but with an almost invisible strand of inquiry binding them. It is query of epic proportions through a language both visual and textual, and is inclusive and open. The timing for a query such as this is opportune, as the many India-s struggle and clash in pursuit of their beliefs.

In the manner that Being in it and Being of it is constructed, it might as well be a museum in print. The fascinating thing for me about museums, is their ability to let you wander and build meaning. As a reader, Being in it and Being of it does not let you be a passive receiver. It encourages you to wander and participate in order to build ‘your’ sense of the Kumbh. It invites you to ask questions, and revisit meanings. While editorial design is often concerned with the delivery of content, Being in it and Being of it embraces content as a complete experience. From intention to inquiry and from distillation to execution, a new wave of the designer as the orchestrator, results in a fascinating engagement in print. The making of the artefact, is the making of meaning.  What a wonderful idea to celebrate and imbibe in the practice of design.
—-
Mohor Ray is a designer and co-founder of brand & communication design practice Codesign. Alongside professional practice, she edited an anthology of design in India called Dekho, and has cofounded Rising to explore visual communication for social impact. She makes sense of the world with design, and writes occasionally about her discoveries in the process.